The festival ground itself generally followed a long line shape with the Main Stage being at the very bottom, and the majority of general camping being about a 15-20 minute walk dependent on your position and how late you arrived. Isle of Wight had more of a carnival feel in comparison to other festivals, with multiple rides scattered around. Food was also good with a decent variety in comparison to the endless burger vans of Reading.
Keen festival-goers could arrive as early as Thursday afternoon to enjoy the evening's entertainment of Billy Idol who delivered a performance which proved he's not lost any of that unforgettable energy.
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| Billy Idol and Steve Stevenson (via Getty Images) |
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| The afro'd Adam Duritz of Counting Crows delivered a highly emotive performance (via Ella Squire) |
You Me At Six surprised us with an extremely vigorous performance, showing they deserved their set, with a dynamic lead who really got the crowd going in preparation for the Black Keys (who I was fortunate enough to be centre at the barrier for.) Dan Auerbach gave an incredibly tireless, powerful performance, managing to get the whole crowd singing along. Gold on the Ceiling had the whole crowd screaming with only the opening guitar intro riff, leaving us unfazed and distracted from the torrential rain.
Finally, the Prodigy, Friday's headliners delivered an absolutely hyper-charged performance which drove the crowd insane. The sheer power, volume and electricity it featured honestly cannot be placed into words.
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| The Prodigy kill Friday night (via Yui Mok/PA) |
Saturday started a bit later for myself, the first act being 'Reg Against The Machine' at the atmospheric yet friendly Kashmir cafe. Expecting a skanked-up cover of Renegades of Funk, I was surprised to find instead a guy called Reggie and his band- who really did have a great bassist, albeit not what I expected. Later on that night I was fortunate enough to witness Kool and the Gang, who gave a brass-heavy performance reminiscent of sets such as Chic at Glastonbury 2013 with the sheer talent exerted by the incredible brass players and confidence and zeal shown by the vocalists.
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| Kool and the Gang and their incredible brass section killed it on Saturday evening (via Ella Squire) |
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| Pharrell brings a crowd of people on for the final song, 'Happy'. (via Ella Squire) |
Finally Blur stole the night, proving they haven't lost any of their vigour or spirit. Joined by large LED ice creams on stage and pumping out big tunes, the whole crowd loudly chanting along. Finishing with Song 2, Parklife, and Girls and Boys, the rain, ruined clothes and Prodigy-caused aches and pains from Friday's eventful day faded into insignificance and the band and songs which wholly defined Britpop took everyone by storm.
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| The visual-heavy set of Blur was something to be remembered (via Ella Squire) |
Sunday, in comparison to the previous two days, was much more folk, indie-folk, indie rock and even some rockabilly jazzy-blues based, finishing with rock legends Fleetwood Mac. For me beginning with Imelda May at the main stage, who wowed the crowd with her vibrant vocals and had everyone dancing in the early afternoon sun. The View at the Big Top were for me next, who had both heavier songs alongside the lighthearted 'Face For The Radio' and getting the whole crowd singing 'Same Jeans'. Alongside being a great atmosphere in the Big Top, the set was enlightening, energetic and passionate.
First Aid Kit on the Main Stage on Sunday Night ended up being one of my favourites of the whole weekend- already being one of my favourite artists, they managed to recreate the vulnerable vocals and deliver the spine-shivering harmonies live, still sounding as stunning as it does on record. The sisters filled their 55 minute set with favourites from their 2014 album 'Stay Gold' and some older tracks- 'Wolf', 'The Lion's Roar' and finishing with 'Emmylou'.
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| Staying Gold- First Aid Kit live up to high expectations (via Ella Squire) |
Paolo Nutini impressed next, singing passionately and delivering live, toned down versions of 'New Shoes' and 'Pencil Full Of Lead' which impressed the crowd. 'Iron Sky' for me was a highlight- they played the Great Dictator's speech halfway through with a film playing behind, just as it does in the track, all round creating an extremely powerful performance.
This only left the weekend's headliner: Fleetwood Mac. With fans piling into the main stage to see them, filling past the field and beyond- the atmosphere was electric. I was lucky enough to be quite close to the front. As soon as Mick stepped on stage, the crowd went insane. Finally joined by Christine McVie, Stevie made her (first, of many) entrance in her first outfit (over the course of the set, she rocked 3 wardrobe changes.)
The set essentially was Rumours- which as far as myself and my friends were concerned, was what we wanted. Lindsay Buckingham is undoubtedly one of the most underrated guitarists of all time, his timing, expression and rhythm was all perfect. He had a more acoustic part of the set, performing 'Landslide' with Stevie, and finishing with 'Never Goin' Back Again' and 'Big Love', where he managed to carry two melodies on the guitar and sing at the same time- absolutely awe-inspiring, and my highlight of the weekend. After finishing with 'Go Your Own Way' and an encore with 'Don't Stop', the set finished, leaving us sore-throated from carefree, fanatic singing, and also leaving me unable to go see another set in fear it would seem far inferior to what I had just witnessed.
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| Stevie Nicks in her second costume change, giving her speech on 'Dreams' (via PA, The Independent) |
However, Sunday night I did explore some more of the tents: 'Electro Love' (where I did spend a lot of my weekend, naturally), the 80s tent, was constantly lively and always ready to greet you with New Order, Pet Shop Boys, or classic synth pop hits. 'Hey Joe', the Hendrix-inspired bar and dance tent also had good DJs which delivered crowd pleasers.
Despite what other reviewers say, Isle of Wight was a festival to be remembered. With a wide range of genres covered in terms of acts, John Giddings really set out to please everyone. Critiques would probably be the distance between camping and the main stage (a strong 20 minute walk, despite this being unavoidable), the limited capacity of certain areas (such as the Strongbow Tree, however again this is unavoidable) and the odd annoying person- but this, above all, is extremely unavoidable at a festival (but a cup of piss thrown over you by some drunken idiot definitely has the potential to put a downer on the night.) The food choice was good and the fairground rides popular with most (albeit very expensive). Fleetwood Mac definitely served as the highlight of the weekend, finally fulfilling the 'Dreams' of many a Fleetwood fan in the main arena.
What a weekend! Sorry for the delay in the review. Ciao!
-Ella
