Everything Everything at the Pyramids Portsmouth (with Stealing Sheep) ~ Review

'You managed to fill this whole room, thank you,' smiles Jonathan Higgs, just before launching into Distant Past, their final song (pre-encore.). Thing is, it's not really surprising that we did- not because the Pyramids is naturally an intimate venue, but because the band itself are frankly fucking awesome live, and it really was a privilege to be witnessing it.

The set begins with 'To The Blade'- anyone who didn't know the track most likely assumed the band had chosen to start off with something slow, simple, and threadbare- but then one minute in, the bass, drums and guitar drop, and the crowd erupts, and suddenly the Pyramids seems full, complete, absolutely raving and exalting, feeling the bass in our collective chests. The set continues, featuring tracks old and new, the crowd-pleaser Kemosabe, evolving Cough Cough and babbling jargon of Photoshop Handsome. This is alongside favourites of the new album, Get To Heaven: the catchy Regret, Distant Past, obscure No Reptiles and the stirring but significantly motivating and inspiring Spring/Sun/Winter/Dread.

Albeit surreal, Everything Everything have established their alt-pop niche, thanks to Higgs' wide-ranged voice, often erupting into falsetto, resting on foundations of electronica, glitch pop, R&B and psych rock. It almost purposefully seems as if Higgs does not want his tracks to be singalong- it's virtually impossible with rapping-style, fast complexities of words upon words with which you can barely keep up, particularly prominent in 'Photoshop Handsome' and 'Distant Past'. However choruses such as 'Spring/Sun/Winter/Dread' get us all chanting and reflecting.

Jonathan Higgs

However, this doesn't deter from the fantastic sounds of Stealing Sheep, the support band.

Clad in neon tights and leotards, and armed with a few keyboards, a basic drum kit, a drum machine and one guitar, the girl trio established the true meaning of Girl Power. Perfectly in sync, they layered vocals in immaculate harmony, frequently using effective delay FX. Their tracks were polished with rhythmically fitting, tight, often complex drums. A wistful mix of styles both old and new, and on occasion sounding vaguely pagan and folky, the girls exhibited a warming DIY feel which still felt so effortlessly new and futuristic.

Stealing Sheep

An all round fantastic night of music hosted by the Pyramids in Portsmouth.

-Squirete

{all photos belong to Ella Squire}

Boxed In at the Boileroom Review

Not many bands can successfully pull off a live cover of 'This Must Be The Place' by the Talking Heads that I can agree with. My ultimate 'good day' track was given a new lease of life, but stayed loyally true to the original.

Oli Bayton, otherwise known as his stage name Boxed In, is a new, indie funk artist focused on live, crisp dance beats, heavily effected, delay drenched vocals and the addition of clean, bright piano cluster chords. Bayton is arguably a very talented keyboard player, playing immaculately syncopated chords that work so well against the ambient sound of their music, and receded vox layered over the top. This is by no means overshadowing the accompanying band, who effectively layer the complex chords and vocals with the addition of further bright keys, tight drums and bass to thicken the texture to create an ambient sound that still sounds so effortlessly funky. Tracks such as 'Mystery' and 'False Alarm' managed to create a dancy atmosphere that still felt cloudily intimate.

It may be his effective use of syncopation, or finally further use of that perfectly clean piano sound (which is horrifically underrated) but something about Boxed In is just so different and new that it really excites me to see what the future holds for them.

Here's a short video I took of their cover of 'This Must Be The Place'- don't try to tell me it's not brilliant. Sorry for not the best quality!!

-Squirete

Darwin Deez ~ Boileroom Review

If I were to describe Darwin Smith, from Darwin Deez himself, I would probably comment something along the lines of 'so ironically uncool, that he's cool'.

As for Double Down, their 3rd album, released in September, it really is much of the same catchy, upbeat, clean, guitar-driven tunes, maybe a bit more upbeat and a little less poetic and introspective than 'Songs for Imaginative People', and more of a developed, honed sound than the original 'Darwin Deez'.

Darwin really seems to have found his niche, which, whether you regard it more as pop or rock, definitely falls under the category of 'indie', with an instantly recognisable guitar tone, warm New York accent and a sense of sincerity: Darwin, although dorky, is unafraid to completely open up in his songs, they're transparent, inclusive and come from the heart. He really is among one of the most endearing frontmen currently on the scene.

What really serves as Darwin's niche, however, is the live technique- which is not only genuine, down to earth and take-it-as-it-comes, but the band don't hesitate to not take themselves too seriously. Their dance routines between tracks are not only charmingly and light-heartedly nerdy, but portray the playful attitude of the band towards their performance. Darwin's live guitar solos, moreover, really show raw talent.

Opening with 'Constellations', from the debut album, to get the crowd going, working his way through some originals like 'Bed Space', including the obligatory love song with the touching 'Chelsea's Hotel' and showcasing their new single 'Kill Your Attitude' and 'Last Cigarette', from Double Down. Whichever album was your favourite, it was an uplifting gig in a perfectly intimate venue.

Chatting to Darwin himself afterwards (consolingly, he really was as charming and endearing in person as he is on stage), we agreed on three things:

1. Dancing adds so much more to a gig, for both performers and fans alike.
2. An intimate venue creates a hugely better atmosphere, for both performers and fans alike.
3. My jacket was awesome.


-Squirete
             

End of the Road 2015 review

It may have been the moment when the crowd seemed absolutely silent and still during Laura Marling's hypnotic, stunning set, or when Dawes' 'When My Time Comes' shimmered with positivity and inspiration in the late afternoon sun...but for me, it was during Tame Impala, where I swear I saw a shooting star above the stage, and couldn't think of a wish to make as everything just seemed so gloriously happy.

End of the Road's 10th anniversary was nothing short of magnificent, with the artists seeming to have as good a time as the crowd- Samuel Herring of Future Islands couldn't seem to stop himself from admitting how much fun he was having between songs, Laura Marling described it as 'the most beautiful festival' and the War on Drugs expressed how they were so glad that 9 years after first being asked to play the festival, they were proud to finally have made it to Larmer Tree Gardens. The End of the Road crowd itself is revered for how calm, relaxed yet appreciative it is, so much so that artists such as Midlake in the past have referred to it as one of the best and most enjoyable festivals to play.

Andrew Combs' set was gorgeous on Friday afternoon

The War on Drugs on Sunday

The festival grounds themselves are something else- the forest lights up at night with a blur of origami birds and twinkling fairy lights underneath a canopy of trees... to wander through to the forest disco (a lit-up dance floor which is, quite literally, in the centre of a forest blasting absolute belters.)

The tiny comedy stage situated in the middle of the woods, surrounded by benches and hay bales, doesn't often disappoint with comics such as Robin Ince and Phill Jupitus creating waves of laughter among the trees.

Palma Violets kicked off the festival, headlining the Tipi on Thursday

The ambience of My Morning Jacket's reverberating harmonies inspired, Laura Marling's stunning vocal and guitar seemed to silence, Tame Impala's bassy psychadelic haze took us all to a different, colourful world of hypnotic backdrops and lighting. Nadine Shah's deep vibrato-heavy vocal filled the Big Top tent, which also housed the wonderfully weird Fat White Family. Mac Demarco's sliding guitars and sense of humour drew a large crowd to the Garden Stage, and Alvvays' pretty, lyrical songs of love drenched with reverb seemed to fit in so perfectly with the last of the afternoon sun before the punchy synth and highly entertaining dance moves of Future Islands hit the Woods Stage. It was a weekend of wonderful, new, alternative music.

End of the Road seem to be so ahead of the game in their line-up- there is no doubt that some of the bands further down the line-up are set to find exposure over the following year, predictions including Hooton Tennis Club, Crushed Beaks and Kevin Morby. Also working as a festival of discovery, the beautifully simple yet happy tones of Andrew Combs and his band and mellow easygoing guitar melodies of Ultimate Painting have already found their way onto my playlist.

Laura Marling had the crowd absolutely still

Future Islands was complete with the deep throaty tones and spectacular dance moves from their frontman

Tame Impala's set also featured a hypnotic light show

-Squirette

 {all photos belong to Ella Squire}

John Frusciante

This is short...but I've rediscovered my love for John. I feel overwhelmingly lucky to have seen him play with the Chilis all those years ago. Summer Tour '04.

His more recent material is undeniably good. Frusciante's 2014 album, 'Enclosure', contains textured tracks which hold an atmospheric, but psychadelic feel, feeling chaotic at times but also unbearably engaging with its fascinating electro rhythms and guitar soaked wet with reverb extremeties.

'Murderers', Frusciante's most famed track, while repetitive, is catchy- 'The Past Recedes', off his 2009 album 'Curtains' is acoustic brilliance. But all of these more recent tracks are a bit more, let's say, 'normal' than what his music once was.
For me, however, some tracks of his earlier albums, such as 'Niandra LaDes And Usually Just a T-Shirt' are a saga of psychotic messes, but also often portray nothing but pure emotion. 'My Smile Is A Rifle', 'Mascara' and 'Your Pussy's Glued To A Building On Fire' are stunning at points, but are also extremely confusing, sometimes unsettling in their lyrical content.
Yes, John was completely drugged up, out of his mind on whatever he put himself on after leaving the Chili Peppers...and desperately bankrupt.

...but Untitled #2... never has a simple instrumental guitar seemed to mean so much.

Especially when walking your dog under clear starry skies at 10pm, feeling desperately hungover and wishing I could go back in time to return to the night before.

It does the job. Suddenly I felt better.

-squirette

Isle of Wight 2015 Review

A festival famous for its iconic history, for hosting Jimi Hendrix for his final ever UK date, made even more history this weekend. To host the legends of Fleetwood Mac was beyond what anyone could have expected.

The festival ground itself generally followed a long line shape with the Main Stage being at the very bottom, and the majority of general camping being about a 15-20 minute walk dependent on your position and how late you arrived. Isle of Wight had more of a carnival feel in comparison to other festivals, with multiple rides scattered around. Food was also good with a decent variety in comparison to the endless burger vans of Reading.

Keen festival-goers could arrive as early as Thursday afternoon to enjoy the evening's entertainment of Billy Idol who delivered a performance which proved he's not lost any of that unforgettable energy.

Billy Idol and Steve Stevenson (via Getty Images)

Friday's main stage was electric: each act delivered something different. Beginning with The Struts, who were pleasantly surprising in the confidence and enthusiasm delivered by an energetic frontman. Luke Spiller launched himself into the (slightly soggy) crowd, managing to get them all to crouch around him as he led a call-and-response routine. Kodaline next, whilst appearing somewhat disinterested in the crowd, delivered a highly emotive set, 'The One' being a bit more lively but still with a sadder downtone. Counting Crows' frontman Adam Duritz performed one of the most emotive sets I've ever seen, standing on speakers and singing each word with passion, emotion and feeling.

The afro'd Adam Duritz of Counting Crows delivered a highly emotive performance (via Ella Squire)

You Me At Six surprised us with an extremely vigorous performance, showing they deserved their set, with a dynamic lead who really got the crowd going in preparation for the Black Keys (who I was fortunate enough to be centre at the barrier for.) Dan Auerbach gave an incredibly tireless, powerful performance, managing to get the whole crowd singing along. Gold on the Ceiling had the whole crowd screaming with only the opening guitar intro riff, leaving us unfazed and distracted from the torrential rain.
Finally, the Prodigy, Friday's headliners delivered an absolutely hyper-charged performance which drove the crowd insane. The sheer power, volume and electricity it featured honestly cannot be placed into words.

The Prodigy kill Friday night (via Yui Mok/PA)

Saturday started a bit later for myself, the first act being 'Reg Against The Machine' at the atmospheric yet friendly Kashmir cafe. Expecting a skanked-up cover of Renegades of Funk, I was surprised to find instead a guy called Reggie and his band- who really did have a great bassist, albeit not what I expected. Later on that night I was fortunate enough to witness Kool and the Gang, who gave a brass-heavy performance reminiscent of sets such as Chic at Glastonbury 2013 with the sheer talent exerted by the incredible brass players and confidence and zeal shown by the vocalists.

Kool and the Gang and their incredible brass section killed it on Saturday evening (via Ella Squire)

Pharrell Williams next was full of energy, accompanied by energetic and stunning dancers, performing his hits alongside his features- Get Lucky, and some N.E.R.D tracks. Unfortunately, however, at times Pharrell seemed a bit new and inexperienced to festival sets and you could sense the crowd becoming a bit bored- luckily his hyper-charged, gorgeous dancers picked the atmosphere back up with their dance interludes.

Pharrell brings a crowd of people on for the final song, 'Happy'. (via Ella Squire)

Finally Blur stole the night, proving they haven't lost any of their vigour or spirit. Joined by large LED ice creams on stage and pumping out big tunes, the whole crowd loudly chanting along. Finishing with Song 2, Parklife, and Girls and Boys, the rain, ruined clothes and Prodigy-caused aches and pains from Friday's eventful day faded into insignificance and the band and songs which wholly defined Britpop took everyone by storm.

The visual-heavy set of Blur was something to be remembered (via Ella Squire)

Sunday, in comparison to the previous two days, was much more folk, indie-folk, indie rock and even some rockabilly jazzy-blues based, finishing with rock legends Fleetwood Mac. For me beginning with Imelda May at the main stage, who wowed the crowd with her vibrant vocals and had everyone dancing in the early afternoon sun. The View at the Big Top were for me next, who had both heavier songs alongside the lighthearted 'Face For The Radio' and getting the whole crowd singing 'Same Jeans'. Alongside being a great atmosphere in the Big Top, the set was enlightening, energetic and passionate.

First Aid Kit on the Main Stage on Sunday Night ended up being one of my favourites of the whole weekend- already being one of my favourite artists, they managed to recreate the vulnerable vocals and deliver the spine-shivering harmonies live, still sounding as stunning as it does on record. The sisters filled their 55 minute set with favourites from their 2014 album 'Stay Gold' and some older tracks- 'Wolf', 'The Lion's Roar' and finishing with 'Emmylou'.

Staying Gold- First Aid Kit live up to high expectations (via Ella Squire)

Paolo Nutini impressed next, singing passionately and delivering live, toned down versions of 'New Shoes' and 'Pencil Full Of Lead' which impressed the crowd. 'Iron Sky' for me was a highlight- they played the Great Dictator's speech halfway through with a film playing behind, just as it does in the track, all round creating an extremely powerful performance.

This only left the weekend's headliner: Fleetwood Mac. With fans piling into the main stage to see them, filling past the field and beyond- the atmosphere was electric. I was lucky enough to be quite close to the front. As soon as Mick stepped on stage, the crowd went insane. Finally joined by Christine McVie, Stevie made her (first, of many) entrance in her first outfit (over the course of the set, she rocked 3 wardrobe changes.)
The set essentially was Rumours- which as far as myself and my friends were concerned, was what we wanted. Lindsay Buckingham is undoubtedly one of the most underrated guitarists of all time, his timing, expression and rhythm was all perfect. He had a more acoustic part of the set, performing 'Landslide' with Stevie, and finishing with 'Never Goin' Back Again' and 'Big Love', where he managed to carry two melodies on the guitar and sing at the same time- absolutely awe-inspiring, and my highlight of the weekend. After finishing with 'Go Your Own Way' and an encore with 'Don't Stop', the set finished, leaving us sore-throated from carefree, fanatic singing, and also leaving me unable to go see another set in fear it would seem far inferior to what I had just witnessed.

Stevie Nicks in her second costume change, giving her speech on 'Dreams' (via PA, The Independent)

However, Sunday night I did explore some more of the tents: 'Electro Love' (where I did spend a lot of my weekend, naturally), the 80s tent, was constantly lively and always ready to greet you with New Order, Pet Shop Boys, or classic synth pop hits. 'Hey Joe', the Hendrix-inspired bar and dance tent also had good DJs which delivered crowd pleasers.

Despite what other reviewers say, Isle of Wight was a festival to be remembered. With a wide range of genres covered in terms of acts, John Giddings really set out to please everyone. Critiques would probably be the distance between camping and the main stage (a strong 20 minute walk, despite this being unavoidable), the limited capacity of certain areas (such as the Strongbow Tree, however again this is unavoidable) and the odd annoying person- but this, above all, is extremely unavoidable at a festival (but a cup of piss thrown over you by some drunken idiot definitely has the potential to put a downer on the night.) The food choice was good and the fairground rides popular with most (albeit very expensive). Fleetwood Mac definitely served as the highlight of the weekend, finally fulfilling the 'Dreams' of many a Fleetwood fan in the main arena.

What a weekend! Sorry for the delay in the review. Ciao!

-Ella

Music & Creating Memories

Music is the soundtrack of memories. I don't know if it's scientifically proven, but for so many people, it's just a fact that with a certain song may arise a certain memory.
I've been thinking philosophically a lot over the past few days, and well, I feel I'm onto something.

I'm not a scientist, but I know this: with certain songs, if played over and over again in close proximity within a certain period of time, you'll find that track reminds you of a certain summer, a particular holiday or period in your life. A particular summer #1 hit inevitably will become the 'anthem' of the summer. In a few years time, when you hear that track, suddenly certain happy or sad memories may come to you which you may have completely forgotten. The way you felt towards certain people, your outlook on life... all of which the nostalgia that you feel entails.

However- how does the 'single-play song' theory work? That if, say, at a party, someone plays a certain song, and when you hear that song again you're reminded of a particular event at the party (let's say, a little dance with some spice you met.) When you hear that song, you imagine that dance and the emotions you felt. The same as a certain song may remind you of when the band played that in concert, or at a festival set.
Now- in this situation, does the one song theory only work because the memory is powerful- not the song in particular? Does the song come secondary to the memory?
Whereas, in the case of the song played many times over a period, is it that the song is what brings the memory up, and the music which rekindles a memory?

I don't know if I'm explaining myself well. I don't know if this is a worthy blog post. But there is a moral to this- music is integral when it comes to memories. Music is a staple.
So, I urge you to compile playlists for summer, winter, revision time, anything. The songs involved don't have to be hits of the time, they can be songs that fit the mood (motivational, summery, whatever). Memories are so much easier to remember with the aid of music and well, does anyone want to sit at the end of their life, having forgotten so many wonderful memories to look back on and know it's been a good life?

Memories are evidence of, well, living. Of having done something worth remembering. Can music help that? When I'm 90, will the opening bells of 'Do You Realize??' by The Flaming Lips bring back the same summer memories, the feelings I had towards certain people and what meant most to me? Will I remember walking through a wood lit up by fairy lights, under the blanket of a starry night, with one person who seemed to mean everything at the time?

Even though everything will be different, even if those people mean nothing to me by that point, even if I regret those things, if I am quite lucky enough to rekindle those memories through the power of music- to me, that seems like nothing but a positive thing.
One can only hope, but it's worth a try.

Some food for thought. Happy Wednesday.

-Ella

The Summer Playlist 2015 - it begins!

EXAMS ARE DONE. EXAMS ARE DONE.
EXAMS ARE DONE.

And thus...the summer playlist begins! I've been compiling this for around a month now, and I think it's pretty much ready for the summer.
Find the full playlist here, on Spotify.

So here are my top 20 songs on the playlist (there's currently almost 100 in total.) Some new, some old, some classic summer tracks...and slipped in some artists which I'll be viewing and reviewing this summer.

But they're all equally summery and perfect for roadtrips, lying back in the grass and pool parties. Here's to the sun, the sea, and the summer that lies ahead! I hope to be posting more summer groups of songs as time goes on.

1. The Barr Brothers ~ Come in the Water
As I reviewed it- a spectacularly calm and peaceful song. Listen to 'Love Ain't Enough' and 'Even the Darkness has Arms' too.
2. Empire of the Sun ~ We Are The People {Shazam Remix}
One of my favourite europop-sounding songs...as dancey as it gets. I only heard this mix for the first time in Forever 21 in April. Inexplicably loved it.
3. The Decemberists ~ Calvary Captain
Folk, motivation...
4. Looper ~ Mondo '77
As reviewed, motivational, driving, powerful.
5. Kendrick Lamar ~ For Free? {Interlude}
Usually I'm not a fan of this, but this really is fantastic. Sort of like modern day rap mixed with crazy bop. Heavy jazz influenced album overall.
6. Tame Impala ~ Let It Happen
Early electronic influence. The use of stops in the centre section is phenomenal! Lucky enough to see these guys at End of the Road this year.
7. Future Islands ~ Doves {Vince Clarke Remix}
Clean, bright piano, deep vocal...End of the Road bound!
8. Sugar ~ If I Can't Change Your Mind
Acoustic strumming heavy, harmony heavy, adoration heavy.
9. Talking Heads ~ This Must Be The Place
Forever the number one 'Good Day' track.
10. Tennyson ~ Lay By
A chilled track based off a car alarm.
11. Fleetwood Mac ~ Never Goin' Back Again
The Isle of Wight headliners!
12. Nadine Shah ~ Stealing Cars
What an incredibly deep, toned voice. Newly-added female idol.
13. Songhoy Blues ~ Soubour
Desert driving feel.
14. Rhye ~ The Fall
Piano line drives it. Sad, but hopeful.
15. R.E.M ~ Nightswimming
The song which talks about nothing BUT creating summer memories. Let's create an inception of memories created to the sound of this track.
16. The War On Drugs ~ Red Eyes
End of the Road headliners, happiest song.
17. Peter Broderick ~ And It's Alright
The ultimate song of peace and reassurance.
18. Young Fathers ~ GET UP
GET UP AND HAVE A PARTY.
19. Shuggie Otis ~ Strawberry Letter 23
Glockenspiel?
20. Bombay Bicycle Club ~ How Can You Swallow So Much Sleep
A Summer Playlist is not a Summer Playlist for me without this one magical track.

Who is READY for a summer full of music discovery, of live music, of sharing music...I definitely am.

And can I just say, to whoever at Edexcel who chose the tracks for the AS Music Technology exam...you are my GOD. What a way to exit my exams with a bang.
(Giorgio By Moroder by Daft Punk, Left to my Own Devices by Pet Shop Boys, Only You by Portishead, Bet You Look Good On The Dancefloor by Arctic Monkeys, What's Goin On by Marvin Gaye, Flower People by Spinal Tap... INCREDIBLE. ON FIRE.)

Happy beginning of summer! We're far from the summer holidays but they're getting closer...

Have a good weekend!

-Ella

SOTW: Come in the Water ~ The Barr Brothers

There's chill- and then there's...

Song of the Week - Come in the Water by the Barr Brothers

I finally bought 'Sleeping Operator' last week after seeing the Barr Brothers at End of the Road last year and absolutely loving them and the ambiance they created so effortlessly on the Woods Stage. Listening through the album, I have three firm favourites, this being one of them.

Starting off with a very acoustic, light, very relaxed and gentle feel, this song does the 'Barr Brothers-y' develop into an atmospheric, ambient chorus with power and feeling. They've achieved successful use of a harp (this is rare, folks!) - so major kudos to Sarah Pagé who is 'harping' so beautifully.

The Barr Brothers' songs are often so atmospheric that you can't differentiate between the range of instruments they use- as they all work in perfect harmony, creating an enclosure of sound. It's hard to comment on specific things as with this band, it's all about the gorgeous sound and mood they create together. But still, I'm a massive fan of the added organ line, piano and guitar line (and its tone).

The Barr Brothers are a Canadian band who predominantly play folk- and yes, there are a set of brothers in the band. 'Sleeping Operator', which features this track, is their second album- and I can highly recommend it. Buy it here on Amazon.

I was so impressed when I stumbled across them last year- and they fitted the festival perfectly, particularly for an afternoon of basking in the sun. Seriously- if you see them on any of your line-ups this year, you should definitely check them out- they won't disappoint.


As always, hear it here, on YouTube (a live version!):

On Spotify here.
And on Soundcloud here.

Other great tracks on the album are 'Love Ain't Enough' and 'Even the Darkness has Arms'- give them a listen, too! I hope to perhaps review the album over the next few weeks.

Ciao!

-Ella

SOTW (for exam time!) : Same Jeans ~ The View

Hello y'all-

So when you look in the mirror
Reflecting back at you someone that you don't know...
Life sometimes makes your head spin around
So get yourself together
Get your feet back on the ground...


Song of the Week ~ Same Jeans by the View

It's almost May. Exams are fast approaching. One by one, we're beginning to fall apart, resulting in each of us respectively experiencing the annual 'complete mental breakdown'. Mentally- it's fair to say we're feeling considerably less stable than usual.

If this sounds somehow relevant to you- this is the song for you.

Days upon days of revision often mean wearing the same clothes. I've been wearing the same pair of leggings for about 3 days. I would very much like like to hit the disco in the middle of town- and I probably would if there was a disco near me...I am the master procrastinator.

This song makes your life falling apart seem so much more positive- because in the end, all you can do is pick yourself back up and stabilise yourself, and then push on.

A great chord progression, fitting guitar tone and timbre. This song really does have an ongoing, limitless feel that seems to fit the lyrics perfectly. I can hardly believe it's three and a half minutes long because it feels like so much more (and in a good way.)

The View have been around a little while now, in their tenth year. Originating from Scotland, their biggest hit is arguably 'Same Jeans', which reached number 3 in the UK charts in 2007. Their most recent single is 'Marriage', released in March.

The View are at Isle of Wight festival this year, and I promise to view (ha) and review (ha) the gig, with some luck. I'll also try to get a bit on camera. Whilst they play this song though, I'll probably be in an extremely happy place beyond anything or any limits.

Listen to the song here:

On Spotify here.
And no Soundcloud link this week...unfortunately there is no sign of it on there (apart from covers of it.)

'My mind's not perfect but it's sincere.'

I'm going to go change my leggings.
Have a good week!

-Ella

A Rant ~ Music Festival Fashion

Okay- as summer approaches, we see the fashion industry kick in, trying to get us to buy our summer wardrobe- and moreover a heavy focus on festival fashion.

As you know, I love a good festival. I love bohemian, chic, flowy clothes, I love prints and I love carelessly wearing wellies with absolutely any outfit. I bring these kinds of clothes to festivals myself, because it's classic and I feel great in them.

But there is one thing which we must stop promoting as 'Festival Fashion' and that is...

THE PLAYSUIT.

Don't get me wrong- I LOVE playsuits and jumpsuits. They're a statement piece, look flattering and are summery as hell.

Despite this, it's fair to say the playsuit is one of the most impractical items of clothing- seriously not made for a festival. And honestly, I'm tired of the fashion industry promoting these and exploiting the naivety of those who haven't yet had their first festival experience.

Have you ever been to the loo whilst wearing a playsuit?

If you have, it'll have quickly become apparent that the playsuit/jumpsuit/dungarees are not the easiest for going to the toilet, as you have to pull the whole thing down all in one piece, often removing tight straps (as these things do have to stay up, they're not usually simple to slip off).

Second question: have you experienced the festival portaloo? Often a grim, unpleasant, vaguely claustrophobic experience, it's not the place you want to be fidgeting and fussing around in trying to pull down a playsuit. And the tight fitting elasticated jumpsuits!? Good luck, mate.
There's also often a grim, wet, pungent floor, and this is why the fashion industry should preferably stop promoting maxi skirts as festival fashion also. You will conclusively, and inevitably, have your playsuit/jumpsuit/maxi skirt hit the floor, and you'll smell off for the rest of the day.

It angers me that some people will feel they *have* to buy a playsuit if they're hitting a festival this summer. You don't- seriously. They're a cute summer staple- but not a completely necessary festival piece.

Now Miss, that looks lovely, very chic, but how are you going to get out of it when you go to a portaloo, and secondly, you're going to ruin that nice white fabric when you sit down anywhere.

From my previous experience, a few quick festival clothing tips:

1. Stick to separate shorts/skirts and tops. Easier for hitting the portaloos and easier to get changed in a small tent.
2. Be careful where you sit down so you don't ruin whatever you're wearing by sitting on something unappetising.
3. Don't wear white. Especially white shorts, skirts, or dresses. Seriously, don't. It looks chic, but I promise you you'll ruin it.
4. Layer up...don't rely on one raincoat. A hot day can turn into a cooler evening and you may find yourself requiring a bit of coverage, but not a sweaty coat. And in a crowd, you want to be able to slip layers off and on quickly and easily. It gets hot when you're all in close proximity with an abundance of strangers!
5. Rucksacks are alright at smaller festivals...but easy to pickpocket at bigger ones, especially when in a crowd. In this case, use a small side bag or a bum bag. Make sure it can zip up.
6. It sounds like your mum- but don't forget suncream. Festivals are ruined by sunstroke or sunburn, and your friends won't forgive you for making them apply aloe vera to your back.
7. Keep a pair of shoes that are easy to slip on in your tent for heading off to the toilets in the dead of night. When you're about to pee yourself, you don't want to desperately be lacing up your converses.
8. Go insane with fashion...pair up what you like, because it's fair to say that at a festival pretty much anything goes. Embrace it!

Apart from that, have a wonderful festival weekend to any of you hitting any. I hope you found my brief rant somewhat relatable and agreeable...

Happy Wednesday!

-Ella

SOTW: Avril 14th ~ Aphex Twin

Hello-

I waited until the perfect date to post this one.


Song of the Week - Avril 14th by Aphex Twin

Now this song holds a special place in my heart.

Ambient piano: no lyrics, no bass, no percussion. You can hear feet pushing pedals and the creaking of the piano, the crackling of the recording. The piano timbre is soft, slightly off-tune and played legato. The song is free to interpret as you wish, as there's no lyrics, only music.

Anger struck when Kanye West sampled this track for his song 'Blame Game', 2010, initially without even asking for permission from Aphex Twin, let alone paying royalties. Richard David James (Aphex Twin himself) naturally was having none of this, and got what he wished. I still feel this song was used wrongly. Perfection is best left untouched.

This track is also one of my personal favourites to play on piano.


Here is the track on YouTube:

On Spotify here.
And on Soundcloud here.

Listen to Kanye's (irresistible, and kind of good) abomination here:

Have a great week. Happy Avril 14th!

-Ella

Secrets of London ~ Tea and Tattle

Labelled teapots...and snapchat captions. Apologies.

Gooood evening-

Whilst most of my posts are music-based, I can't help but do the odd review of something else once in a while. In the future, hope I can do a few more like this.

Now- when given the concept of afternoon tea, I tend to visualise a pricey trip to the Ritz, where you're fed cakes and tea until you're stuffed for the next two days, and probably can't look at cake for a week. Afternoon tea is at least £50 each there- and well, I think I've found a lovelier, maybe less pretentious little place, for much less than half the price.

Last week, I had a friend from Wiltshire to visit- so had to do the classic trip to London. Like complete tourists, we hit Oxford Street for a while, visited Buckingham Palace...and I insisted on the prospect of afternoon tea. So for the second time, I had a lovely trip to Tea & Tattle, a lovely little underground café (it feels wrong to simply label it a café, but there's no other word for it), based around Tottenham Court Road, by the British Museum. 

Coffee & Walnut Cake...my favourite...notice the half gone homemade lemonade in the background.

For around £15 a person- you'll get your cup of tea/coffee (unfortunately I had coffee instead of tea, which was lovely, but my friend Issy referred to her tea as some of the best she'd had), little sandwiches (triangles and everything), scones (with clotted cream, obviously, and a choice of jams), a glass of their (amazing) homemade lemonade and polished off with a slice of cake. And it's all deliciously served to you in a tiny little underground location by friendly staff.

My scones...with raspberry and vanilla jam. Truly amazing.

It is a tiny little café, so would not rely on just walking in- but very easy to book online (we booked the night before and got a table for 3pm no trouble). This little spot is perfect for the afternoon tea experience, but a little more original, a little bit cuter, and a whole lot less expensive.

The cake is moist, the sandwiches are cutely cut, and the scones (pronounced sconns, not scohhnes)...best I've had. 

All served on pretty china plates and teacups. The staff also were very friendly. Their tomato, brie and ham toasted sandwiches were perfection!

So if you're a little unsure on what to do in London - Tea & Tattle is recommended. You can even do a little trip to the British Museum after...

Until next time,

-Ella

The obligatory 'sippin tea' picture.

SOTW: I'll Be There ~ Chic

Hellooo,


Yes, the main question is why I didn't do this track as Song of the Week about three weeks ago. The truth is that I completely forgot to mention this song, even though I've been obsessive over it.

As a complete 80s freak, the fact I forgot this is very unnatural and unlike me.


Song of the Week - I'll Be There by Chic


Oh my god. This new single is next level amazing. It's a classic Chic track with its brass, its Nile Rodgers guitar, strings section, vocals, break down section and of course a funky bass line. It's like everything we expect of Chic, without feeling the same- it's a completely new track, but has all those conventions we know and love.

Thing about this one, is that it brings together the past 30 years of Chic...bringing back little iconic lines: 'everybody dance', 'the clock keeps turning'... amazing. It does leavs you feeling slightly emotional and nostalgic as well
(I know I'm not from the 80s era. But as someone who has grown up listening to Chic thanks to parents.)

I'll mention it now, seeing as I haven't already- Chic at Glastonbury 2013 is my favourite ever festival set, and has remained it since I saw it on the night. That bass player was so on fire that he looked in pain as he played 'Everybody Dance'.

What saddens me, however, is this feels like this is the final ever Chic single. It's not subtle- the lyrics are about goodbyes, about loyalty, about always 'being there', and the repetition, samples of previous hits and references to previous points in Chic's career really hit home.


'Smash after smash after smash
I appreciate all the gifts I was given
Now I don't wanna live in the past
But it's a nice place to visit'


It's clearly about moving on from the past and entering the future.

And with Nile Rodgers' now being 62 (but not looking it), he may be looking to let himself retire in the near future. After all, he's battled prostate cancer, still keeping up with the music. He has a well earned break waiting for him when he does bring Chic to an end. I'm sure he'll continue being a legend of the music business, no matter what he's doing.

But at least we can all say that there couldn't have been a much better song to potentially finish such an iconic music career on. Long live the legacy of (in my opinion) the greatest disco band of all time.



You won't regret it. Listen to 'I'll Be There' here:

On Spotify here.
Aaaand here's an awesome extended club version of it on Soundcloud here.


My favourite Song of the Week yet. And I got next week's all lined up (it's date appropriate. Hint: 14/04).

Until next week!

-Ella


PS: This is all extremely appropriate, as I'm performing Good Times again with friends and family next weekend. It's been played a healthy amount of times, once even with a family and friend-formed group of 18. There were two drummers, one amazing bass player, two pianists, three guitarists, four of us playing percussion and a whole load of vocalists. It sounded insane. In a great way. Good times.)

SOTW: Nobody's Empire ~ Belle and Sebastian

Hello!

Sorry to not post on Sunday, but on Monday. Mondo '77 got me a bit through last week, but I still can't say it was the easiest of weeks. Maybe I'm under a curse, or experiencing bad karma for something I've done in the past. I'll improve, and hopefully such a stream of bad news and happenings won't bring me down again.
But I digress.


Song of the Week - Nobody's Empire by Belle and Sebastian

Love its understated positivity.

A classic C G Am F chord pattern, played on a soft, clean electric guitar, reflective lyrics, effective, clear use of reverb especially on the vox.
In the intro- is that castanets, or an extremely short, fast rim shot, or clave beat we hear? It sounds fantastic, it's the subtleties...

I hate for my first two SOTW posts to be so linked, seeing as the Belle and Sebastian bassist was who put together the band Looper. But this is another positive song that maybe someone out there needs.

I was lucky enough to see Belle and Sebastian at End of the Road festival two years ago, even though I had only heard a couple of songs before and more wanted to see them out of interest. It was a really good gig though, and the crowd really enjoyed it. I listened to some more of their stuff (Again, BBC R6 is handy here for finding the best songs).

Belle and Sebastian are a Scottish predominantly Indie Pop band. Their latest album (Girls In Peacetime Want To Dance), which features this song, was released in January, so is out now! Give it a listen.

Here's 'Nobody's Empire' on YouTube...

On Spotify here.
And on Soundcloud here.


Have a great week!

-Ella

SOTW: Mondo '77 ~ Looper

Hello!


A current goal for myself is to increase the frequency which I post on here- but without feeling like I have to do lengthy posts, as I'm a perfectionist and can't post something until I'm completely content with it. The longer the post, the less likely I am to be happy to post it.

As a solution, I've decided that every Sunday I'll write a brief 'Song of the Week' post (whether it be a current chart hit, an old favourite or a rediscovery), write a quick summary of its history and just say why it's relevant or what I like about it.
Because come on, there's always a 'song of the week' for all of us.

Naturally, it may be extremely linked to the week's mood, or current events, but either way, it should be a fun thing to write weekly.  I also have some drafted blog posts I hope to finish up and post up here soon. But I digress...

I hope you like this first regular 'segment' of my blog. Let's hope I can keep it up!


Song of the Week : Mondo '77 by Looper (ft. Francis MacDonald).


Heard this on BBC Radio 6 (best station!) on Monday, shazam'd it, added it to my playlist and only just re-listened now, and I tell you- I'm in love.

It's motivational, has a driving piano line, and the brass hook at the end just fits perfectly. The constant 8-bit bassy ostinato is just brilliant- anyone who knows me would know that anything with a chiptune or 80s feel is something I'll most likely love.

This will definitely be the song to get me through the final week before the Easter holidays.



Looper themselves are Scottish and their music is predominantly Indie Rock and Electronic. The band itself was formed by Belle and Sebastian's ex-bassist, Stuart David.

Mondo '77 is their most widely recognised song, used in commercials in America for Xerox and Partnership for a Drug-Free America. It was also used in the soundtracks for Vanilla Sky and The Edukators.


Listen to it here (yes, slightly weird video.):

You can also find it here, on Spotify and Soundcloud.



Roll on next Sunday for another Song of the Week...

-Ella

Iconic {tickled} Ivories - The Best Piano Lines

Hello!

First off, sorry for absence, been ill and so on.

Yesterday I was putting together a playlist/mixtape for someone, when I realised the majority of the songs I was putting in contained a great piano line, and it got me thinking. Personally, as a pianist myself, I've always been appreciative of and partial to a solid piano line in songs, whether it really drives the song or just adds a great accompaniment. Either way, some songs simply would lose their feel without the piano or keyboard part.

So, as a fun activity, I've compiled my top 20 piano lines in the world of popular music.
Disclaimer: this is not a blog post of my favourite sonatas.


They are in order of 20 to number 1...which was possibly one of the hardest things I ever had to do- but remember this is not only ranked by the quality of the piano line, but how much it brings to the song, also.

Heeeere we go:



20. Limit to Your Love - James Blake

This gorgeous track is perfectly accompanied by a repeated piano riff.

19. Clocks - Coldplay

You can't talk of piano lines and not mention Coldplay. This renowned piano line is one of Coldplay's early defining moments.

18. Reflektor - Arcade Fire

Bear with me on this one! The piano riff at the end of Reflektor is so powerful and underrated entirely:

17. Stellify - Ian Brown

An instantly recognisable piano line, even for those who don't know the name or artist of this song. Very powerful, very accented, very good.

16. Life's what you make it - Talk Talk

It's not the main part of the song, but it really drives it. This ongoing riff carries the meaning that life is what you make it, portrayed by the fact that this piano line doesn't always fit every aspect of this song, but carries on regardless. This little ostinato is so rhythmically perfect it's almost percussive. 80s love.

15. All my friends - LCD Soundsystem

I've never been able to master this little piano line, because it's 'smudgy' sound is probably made up by some overdubbing. Still, it powers this (slightly lengthy) song.

14. I Decided - Solange

Beyoncé's lil sis, in my opinion, uses the piano much more effectively. This slightly jazzy, improv-sounding line adds so much to this song about deciding on the perfect man.

13. Because The Night - Patti Smith

Patti Smith's infamous track is arguably partially due to the effective piano use throughout the track. (One of my small claims to fame remains that I sat at the End Of The Road piano stage straight after her...without realising she'd just been there.)

12. We Walk - The Ting Tings

Oh wow, who here remembers the Ting Tings, the much-loved duo of 2009? This is my personal favourite of theirs, and whilst the piano is played the whole way through, it's most prominent at the beginning with its funky little intro. The first improv piano line I learnt at the tender age of 9 or 10!

11. Shuffle - Bombay Bicycle Club

The simple little keys addition to this song adds so much, and gives it the 'shuffle' feel.

10. The Man With A Child In His Eyes - Kate Bush

Kate Bush's most emotive track simply would not be the same without the tinkling, moving piano accompaniment.

9. Someone Like You - Adele

What teenager do you know that didn't have a go at learning this? I find that if any of my non-pianist friends have learnt any pop song on piano for fun, it's this. Instantly recognisable, even without those so highly acclaimed lyrics. Plus a good use of chord inversions- it really doesn't sound the same when you play the root chord.

8. Asleep- The Smiths

'Send me to sleep'... beautiful.

7. Hoppípolla - Sigur Rós

Renowned...whether or not you recognise the artist or the name of the song, you'll most likely recognise the track.
Can I add, when I saw these guys live, they still managed to achieve the intimacy of this song even in a festival environment- stunning. The piano line completely drives this song.

6. Love Letters - Metronomy

Great honky-tonk sound of stabbed chords that just keeps this song moving forward. Some of Metronomy's best...their most prominent single of 2014.

5. Life On Mars? - David Bowie

With its occasional hammers and cluster chords, alongside the perfectionate accompanying line, you can't deny this works as an amazing accompaniment.

4. Imagine - John Lennon

You simply cannot talk of piano lines without mentioning this so incredibly influential track.

3. Nightswimming - R.E.M.

Too high putting it as number 3? No way. One of the best melodic piano lines that still works perfectly as an accompaniment. Some of the best of R.E.M.

2. Avril 14th - Aphex Twin

You probably won't know this one- but you may recognise the end if you're a fan of Kanye West...the sample of this song was almost taken without any credit or royalties to Aphex Twin (classic Kanye West). This is instrumental piano, with no lyrics, but remains my favourite ambient piano track to date.

1. Cornflake Girl - Tori Amos

In my opinion, the piano line really makes this song what it is, and compliments Tori Amos' voice immaculately. The verse and chorus and the outtro are all completely different lines, however they each bring something new to the song.

Slightly jazzy, some perfectly dissonant cluster chords and some high running tinkly lines...this piano line has it all, and it rocks it.

And there we have it! I hope you agree with at least some of them.

What are your favourite piano lines? Have I unfairly overlooked any iconic ones? Let me know in the comments below. This was an extremely entertaining top-20 to put together, despite the fact it was insanely difficult and I really doubt my explanations were particularly clear.

Have a great week - Ella turns 17 tomorrow!


-Ella



UPDATE: I realised I missed out some classics- i.e. Because the Night - Patti Smith, Under the Pressure - The War on Drugs and Laura- Bat For Lashes. There shall be an Iconic (tickled) Ivories 2 in future.

Review: Stay Gold - First Aid Kit

In 2014, First Aid Kit made a long-awaited (by me anyway) album release, since The Lion's Roar in 2012. (which is when I first saw them live, and fell in love.)

These two sisters, Johanna and Klara Söderberg, from Sweden, initially took the indie-folk scene by storm in 2008 with their cover of 'Tiger Mountain Peasant Song' by the Fleet Foxes. Over the years, they have gathered a following of many folk, indie-folk, indie-pop and even country and psychadelic-pop fans. They have since become known as queens of harmony, with the capacity to even rival Midlake and Fleetwood Mac.

'Stay Gold' lived up to the hype achieved by the singles released over in the run up to June. 'My Silver Lining' is undoubtedly the most infamous song on this album, as well as currently First Aid Kit's most popular song on Spotify, Soundcloud and YouTube. This single was released in May on YouTube and definitely was the song to get me, alongside many others the most excited for the album.

As an album altogether, 'Stay Gold' seems to have a more country feel than that of 'The Lion's Roar', which definitely leaned more towards folk. However, the too-close but yet so heavenly harmonies seem to be what define this album, and seem to be what the two sisters are trying so hard to define themselves with. However, there is definitely a niche in the market for this at the moment, and they're more than just recorded: seeing these lovely ladies live in 2012 at End of the Road festival, it was clear that they more than understood harmony.

'My Silver Lining' is definitely among the most feel-good, inspiring tracks on the album, with empowering lyrics, harmonies to make you melt and a beautiful strings line which feels endlessly silky smooth and flowing.

The title track of this album, 'Stay Gold', with a mellower feel still remains amongst my favourites. With a consistent pure vocal countermelody and thoughtful lyrics, this one manages to both calm and inspire. As it reaches its conclusion, backing vocals really come into play.

'Master Pretender' is one of the more recently-appreciated singles on the album. Its soft ongoing guitar melody, gorgeous vocals and glissando pre-chorus fit together like puzzle pieces and altogether create a song that dips and rises in all the right places.

'The Bell' and the upbeat 'Heaven knows' are other highlights of the album. However, 'A Long Time Ago', which concludes 'Stay Gold',  features only soft piano line accompaniment (previously unheard of for First Aid Kit.) The simplicity of this track works perfectly, bringing what works as a really well constructed album to a perfect close.

My outlook on this album? Definitely worth buying for some easygoing listening. Summer 2014 was undoubtedly prime time to release this album: it's definitely an album for basking in the sun rather than driving in the cold winter months. First Aid Kit successfully fulfilled that little niche that's been waiting for the perfect folk/country band with something a little different to show.

'Stay Gold' without doubt surpasses 2012's 'The Lion's Roar' and the EP, showing that First Aid Kit only can develop from here. What can we expect over the next few years?

Klara and Johanna are revealed to be touring this summer 2015 and have been touring already. They are confirmed for Isle of Wight festival (which I will be attending). I look towards the future to see what these incredibly talented sisters have yet to show us.

Watch their performance of 'Master Pretender' on Graham Norton here.

-Ella

Hello

Well hey there...I'm Ella and this is my blog.

This blog once existed as merely where I ranted about teenagery problems...the embarrassing part is that I was 15, and it was a pretty unacceptable blog for an age when I really should have known better. Therefore, welcome to my all-new blog where I hope to be less...embarrassing.

I'm 16, about to turn 17 (literally 'on the Edge of Seventeen', in the words of Stevie Nicks.) I'm an aspiring journalist, writer, musician and songwriter.

I resolved to run a blog with the intention of finding a method to portray my thoughts as they develop over time, but also to give my opinion on current affairs and so on. I hope to be writing reviews of albums, festivals, books and other things in the future.

But for the moment, feel free to say hi. I don't know if I'll be posting as much as I used to, but with luck I'll find the time to post something new relatively frequently, especially when feeling inspired.

Feel free to follow my-

Twitter: @reindella (link here)
Spotify: @reindella (link here)
Soundcloud: @reindella (link here)
Tumblr: @squirette (link here)

Instagram: @_ella.s


Hope you enjoy what ends up on here...and until next time, ciao!

-Ella